May 23, 2013
May 22, 2013
Studio Night Last Night Part Two: Tiny Painting
After messing around with my new Gamblin paints on a big piece of gessoed paper (30" x 22"), I needed to try them on a tiny painting, so I made this. I really enjoyed using the new paints to make this tiny painting - some of the colors are so perfectly muted, but all of the greens have just enough of a bright hue to make them stand out. I feel like I'm missing one good dark (out of the self-limited palette I'm playing with), but I do like the effect of how close the colors are to each other.
I also got a better sense of how the Solvent Free Gel works, and found I was using too much with the tiny brushes, compared with wanting to use more with the bigger brushes in the first painting. It'll take a while to get used to, but I love how it is almost the consistency of paint, so that I can dab my brush into it, then dab it into the paint and play with it until I like the consistency. Dang I love oil paint!
Here's my newest tiny painting: Art Opening.
sketched by
Elizabeth Alley
0
comments
Studio Night Last Night: Gamblin Paints
Last night was Studio Night, so I grabbed my favorite palette knife and went to work.
This is Cadmium Chartreuse, Nickel Titanate Yellow and Green Gold.
Titanium Buff, Portland Warm Grey and Portland Cool Grey.
Warm White and Cool White on the bottom, with my regular Titanium White up top.
The Titanium Buff is yellowish, the Portland Warm Grey is reddish and the Portland Cool Grey is blueish, so I mixed up an orange, purple and green. Lovely muted colors!
I mixed the Warm White and Cool White with Ultramarine Blue - look at the difference!
The bottom right is Ultramarine Blue and Titanium White for comparison.
Then I mixed the Ultramarine Blue + Warm White with the orangey color to get this beautiful grey. Normally I would mix up a regular orange with ultramarine to get a nice brown, then mix more ultramarine to get a nice black (no, I can't just mix orange and lots of ultramarine, I have to do it twice), then I would mix a little of it into Titanium White to get a grey like this.
Below this is the Solvent Free Gel.
Here's the whole shebang.
I had a big piece of gessoed paper tinted with a bit of acrylic sitting around, so I started playing with an image from Spain that I've been toying with. I used that grey first, then started in with the orangey color.
Titanium Buff is a great color for sheep! It's hard to make out, but the Warm White is to the lower left of the sheep butt.
Look at the difference in the greys and blues. That one bit of warm grey in the center: blam!
I enjoyed using the Solvent Free Gel, but I wasn't sure if I was using too much or too little. I tended to want to use more. I liked it more when I also used a touch of solvent (Gamsol) with the gel because I could get more coverage and movement out of the paint. But alone it made the paint so creamy and lovely. I even used just the solvent to blur the edges of some of the paint.
This is how I left the painting for the night, because I wanted to try these paints on a tiny painting. Not sure where I want to take this, as it's a bit different than what I've been doing lately. But I've been wanting to make a series about my last trip to Spain before my next trip to Spain, so I think these paints might help.
sketched by
Elizabeth Alley
0
comments
May 20, 2013
May 19, 2013
May 17, 2013
Follow Friday: Urban Sketching Symposium 2013
sketched by
Elizabeth Alley
0
comments
May 16, 2013
-
We were pretty exhausted after the previous day's adventure, so we got off to a slow start and went downtown to the National Gallery o...
-
I've been hinting at this for a while: my new series Tiny Outfits . It started with trying to think of a "thing-a-day" project...
-
At 10am it was already about a thousand degrees outside, and therefore I should have put more thought into planning out my sketches. Instead...
Sketchwork Moved!
Please visit Sketchwork at elizabethalley.com/sketchwork . After 12 years with Blogger, I am incorporating my blog into my website becaus...












